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Dot, Dot, Dot…
I interpreted dots as serials of something around us. Specks of dust, a specific time, a value of the digital sample, and many other things can be interpreted as dots. I tried to express those things that embrace us as dot-like musical events in this work [Dot]. Dots are segments of something, so I created all phrases of this music as some pitch-class segments. To do that, I use a computer algorithmic composition system as the compositional tool, and all musical events are generated by it.